Giotto, Jan van Eyck, Leonardo da Vinci, Michelangelo, Titian, Caravaggio, Artemisia Gentileschi, Diego Velázquez, Francisco Goya, J.M.W. Turner, Édouard Manet, Claude Monet, Edgar Degas, Paul Cézanne, Vincent van Gogh, Henri Matisse, Pablo Picasso, Piet Mondrian, Wassily Kandinsky, Georgia O’Keeffe, Jackson Pollock, Willem de Kooning, Mark Rothko, Helen Frankenthaler, Francis Bacon, Lucian Freud, David Hockney, Gerhard Richter, Bridget Riley, Anselm Kiefer, Marlene Dumas, Peter Doig, Kerry James Marshall, Amy Sherald, Njideka Akunyili Crosby, Julie Mehretu
Books and other resources
Aguirre, P., Azimi, N. & Cahsdan, M. eds. (2011) Vitamin P2: New Perspectives in Painting. London: Phaidon Press.
Betterton, R. (2003) Unframed: Politics and Practices of Women's Contemporary Painting. London: I.B. Tauris.
Bick, A., Parsons, J. & Pratt, K. (2018) The Order of Things. London: Everyday Press.
Blazwick, I. (2015) Adventures of the Black Square. London: Prestel.
Breitwieser, S. & Prestel, B. J. Prestel eds. (2015) Carolee Schneemann: Kinetic Painting. New York & London: Prestel.
Brett, G. ed. (1998) Aubrey Williams. London: Iniva.
Britt, D. & Obrist, H.-U. (1995) Gerhard Richter: The Daily Practice of Painting: Writings and Interviews 1962-1993. London: Thames and Hudson.
Clark, M., Shalgosky, S., Sturgis, D. eds. (2011) The Indiscipline of Painting. London: Tate Publishing.
Cooke, L. ed. (2012) Agnes Martin. London: Yale University Press.
Crippa, E. (2018) All Too Human: Bacon, Freud and a Century Panting from Life. London: Tate Publishing.
Crippa, E. (2019) Frank Bowling. London: Tate Publishing.
Crone, R. (1970) Warhol. London: Thames and Hudson.
Deleuze, G. (2005) Francis Bacon: The Logic of Sensation. London. Continuum.
Draxler, H. ‘Painting as Apparatus: Twelve Theses’ in Text Zur Kunst, March 2010, issue no. 77.
Elger, D., Obrist, H. U. (2009) Gerhard Richter – Text: Writings, Interviews and Letters 1961-2007. London: Thames and Hudson.
Elkins, J. (2000) What Painting Is. London: Routledge.
Friedel, H. (2007) Gerhard Richter: Atlas. London: Thames and Hudson.
Gingeras, A. (2002) “Dear Painter, paint me…”: Painting the Figure since Late Picabia. Paris: Centre Pompidou.
Godfrey, T. (2014) Painting Today. London: Phaidon.
Graw, I. (2018) The Love of Painting: Genealogy of a Success Medium. New York: Sternberg Press.
Isabelle Graw: The Economy of Painting: Notes on the Vitality of a Success Medium. 2015.
https://www.youtube.com/watch?v=1JDthDEcmAs
Guston, P. (2010) Philip Guston: Collected Writings, Lectures and Conversations. California: California University Press.
Hafner, H.-J. & Reski, G. (2015) The Happy Fainting of Painting. London: Buchhandlung Walther Koenig.
Hochdorfe, A., Joselit, D. & Ammer, M. (2015) Painting 2.0: Expression in the Information Age. London: Prestel.
Hoptman, L. (2014) The Forever Now: Contemporary Painting in an Atemporal World. New York: The Museum of Modern Art.
Joselit, D. ‘Painting Beside Itself’ in October 130, Fall, 2009, pp. 125-134.